Born on the east coast of Australia
and raised on a diet of Skate,
BMX,
Sabbath,
N.W.A.,
Max and
the Lost Boys.
The BMX lifestyle took off and had me traveling the world for my print magazine Rebelyell BMX Magazine.
Soon after that, the lingo went from ‘bombing rails’
and ‘dodging security’
to ‘androgynous’
and ‘the avant-garde’ as I seek truth in the human condition, using art and fashion as vessels to communicate my story…










Unconventional
and unapologetic, the raw images I create today are authentically human.
Photography teaches me to embrace diversity in work and in life. I enjoy exploring the concept of beauty,
and not limiting myself to one standard by experimenting with possibilities for a more inclusive future.
I suppose, I’m still kindred of the streets,
looking to push limits.







Awards
2021 – Paris Photo Prize PX3 (honourable mention)
2020 – Paris Photo Prize PX3 (Silver)
2019 – Martin Kantor Portrait Prize (finalist)
2018 – Life Framer Awards judged by Roger Ballen
(top finalist)
2018 – Percival Photographic Portrait Prize (finalist)
2012 – Monster Children Annual (finalist)
2012 / 2011 – Capture Magazine – ‘Fashion photographer
of the year’
2011 – RayBan Photo Awards (finalist)
2010 – Moran Prize (semi-finalist)
2010 – Kodak Salon (finalist)
Publications
VOGUE.it, HUNGER, SCHON, 10 MAGAZINE, SHOWSTUDIOS,
i-D, iNFRINGE MAGAZINE, YEN, NUMODE, AND MEN, MALE MODEL SCENE, GLASSBOOK, SYN, QUINTESSENTIALLY ASIA
Clients
DAVID KOMA, ISTITUTO MARANGONI, NIKE, REDBULL, TOYOTA, MTV, GUINESS, VANS, GRANA, BARDOT, GUINESS, RENAULT, MTV, SONY
© CHRISTOPHER POLACK 2022
/ Designed by BULLSEYE MEDIA
, Development by Little Fragments